Class Notes: October 2010
Previous months: June 2010 | July 2010 | August 2010 | September 2010
These are the class notes for September 2010 Tango classes in Berkhamsted.
- 3rd October: Technique, musicality, steps
- 10th October: Ochos and decorations
- 17th October: Crosses
- 24th October: Improvers Workshop
- 31st October: Free leg movement
3rd October: Technique, musicality, steps
Technique
Posture
Keep a "forwards lean", all the time. Think of the posture as being an upside-down "Y" shape.
Walking
- Walking forwards, push off from the back foot and soften the knee of the supporting leg.
- Walking backwards, again soften the supporting leg, and extend your free leg back (free leg is straight)
Changes of weight / sidesteps
- Think "up and around" rather than "side to side" for changes of weight
- For sidesteps, conversely, think "down and across"; soften the knee of supporting leg, then step
- It's a useful exercise to mix and match weight changes with sidesteps, so that you can learn to differentiate between the two
Follower's free leg movement
- Trust your following instincts, and try to be more confident in letting the lead's movements translate into leg movement.
"Pre-lead":
Ensure you set up the lead for every step, in the time before you actually lead that step. So start "pre-leading" the next step, during the previous step.Head placement
Don't move the head in ralation to the body - keep it pointing in the same direction as your chest.Steps
Giros
Follower technique:- For the side -> back bit, ensure you pivot fully before stepping back, step fully around the partner
- Ensure you don't overtake the rotation of the leader's chest
- Keep the movements smooth and continuous; don't stop moving the free foot; keep it moving continuously
Ocho Cortado
- Leading the "pulse" part of the step, as a start-of-a-sidestep
- Rotate around the follower anti-clockwise to lead her to cross
Enganche
- From a sidestep-to-left, right foot in between follower's legs
- Follower brings legs together, pivots, then steps back
- Can continue this as part of a giro movement
Musicality
- Put in lots of pauses!
- When pausing, pause to the music - listen to the music
- Pauses are opportunities for the follower to decorate / adorn steps
- It takes time, but it'll come when you listen / dance to enough of it.
Some more musicality information here:
10th October: Ochos and Decorations
Beginners Class: Ochos
We focussed on the "ocho" movement in this class.
Key points- Leaders: don't "row" - don't use your arms to pivot your partner, use your chest.
- Leaders: always lead the pivot first, then the step. Don't try to do both at the same time.
- Leaders: the step is in the same direction as the pivot.
- Followers: pivot first, then step. They are two separate motions - don't rush into one before the other.
- Followers: keep your chest facing towards your leader (that's the "dissociation" thing).
There are two simple ways to change from a forward ocho to a back ocho and vice versa.
- Reverse the pivot: lead a pivot in the reverse direction, then lead a step in that direction.
- Don't lead the pivot: lead a step, without the pivot, then lead a step in the reverse direction.
Easy :)
More information
Some more information about ochos.
Improvers class: Ocho decorations
Adornments (or "Embellishments" or "decorations" - all the same thing) are general actions which make the dancing look and feel better - they're the icing on the cake.
A key point about decorations is exactly that - they're icing, they're not the cake. So these should not ever interfere with the connection or the basic step. If you're not comfortable doing the basic step, then don't do decorations.
Decoration 1: Hook step ("Amague" / "Saludo")
For any forward or back step, followers can "hook" their feet into a back or forward cross position, before taking the step.
We worked on this with forwards and back ochos - hooking behind in forward ochos, hooking in front with back ochos.
Here's an example of an Amague as used on a back ocho:
Decoration 2: "Lapiz" / "ronde"
This involves the follower tracing a pattern with her free leg, during the "pivot" part of the ocho.
This is the sequence we worked on:
- The follower steps forward on her inside foot, and collects her feet
- The leader lowers the follower - the follower bends her knee and then extends her outside leg to the side
- The leader pivots the follower - the follower can then trace a circular movement with her outside foot
- At the end of the pivot, the leader should raise the follower back up
- The leader can then lead another step as part of the next movement (say, another ocho).
- Leaders: get the timing right. Lower for the pivot, raise for the step
- Leaders: to lower, lower your frame, don't crouch down
- Followers: don't anticipate, let the leader lead each stage
- Followers: collect the leg back in when you're raised at the end of the pivot
Decoration 3: "Planeo"
We then briefly extended that movement, to create a "planeo" movement, with the leader walking backwards and leading the follower to pivot around.
17th October: Crosses
Beginners Class: Leading a cross
Followers, you can occasionally be led into a cross-step; it's like a collection, but intead of one foot being next to the other, one foot is crossed over the other.
If your free leg is relaxed, this should happen naturally when led - you shouldn't really need to think about it.
Leaders, to lead a cross step, you need to indicate to the follower what to do; typically, this means you need to:
- Apply a slight pivot as part of the step as a lead - "closing the chest", basically.
- Open up some space between you, for her to put one leg in front of the other.
You can also apply a slight "lift" as part of the lead.
You can do this from a normal walk, and it should feel natural ("inevitable") to the follower.
A Sequence!
We did a standard entry to a cross step:
Leaders: sidestep left (to outside) > 2 forward steps > collect (and lead a cross step) > lead a weight change
Followers: sidestep right > two back steps > cross when led (left foot over right foot) > change weight to front (left) foot
Key points
- To lead the sidestep left, lead your partner to take a normal-size step, then once she starts to move, take an outside step. Don't lead a large step from the start, or you'll both simply take large steps!
- When leading the actual cross, don't pull your partner to the side, simply straighten out your body - "close your chest"
- Followers: similarly, don't turn to the side, but keep facing your partner when you cross.
- Leaders: start leading the cross from the second forward step - make this second step small, to give the follower space to cross.
- Followers: don't anticipate a cross after 2 steps back. Wait for it to be led.
Important note: the above is simply a sequence - it's not necessary to do this to lead a cross. If you look at the video here, that shows you some alternatives.
More
Improvers class: Cross variations
From the crosses, we covered a number of possible variations in terms of movements.
Decorations: The cross position allows you to create some nice patterns - for example, forward ochos out of the cross (produces the same look as the "hook" decoration covered last week).
Cross in close embrace: we covered leading the cross movement from a close embrace, as well as from open.
Ocho cortado cross: you can lead a cross from a sidestep motion, as we described in the Ocho Cortado movement in an earlier class.
Key points- Cross movements should feel natural. So leaders, don't "expect" a follower to cross at a certain point. And followers, don't anticipate a cross - only cross when the step is led.
- Followers, after you cross, change your weight to the crossed foot - this change of weight should be led, but for the moment, you're best off just doing it, as that's what you'll need to do 99% of the time anyway.
- Followers, take your time to cross - the movement should be natural, at the same speed that you walk back normally.
24th October: Improver's Workshop
See the detailed workshop notes for more information.
31st October: Free leg movement
The main theme for the two classes here was "Free leg movement", with a few specific movements designed to use and exploit such movement.
Beginner class: "swinging" and linear boleos
After warming up, we spent some time working on leading free leg movements.
Followers did some "leg-swinging" exercises, standing on the mats and getting used to feeling our legs swing, in as "free" a matter as possible. We then got the leaders to start to try to influence this "swing" - feeling the way the follower's legs moved, and trying to enhance / damp down this movement.
The idea of this exercise is:
- To get the followers used to free leg movements,
- To get the leaders used to being able to effectively lead and change these movements.
Movement: linear boleo:
This movement is designed to get the leaders used to interrupting a movement, and to get the followers used to having free leg movements.
- Step to the (leader's) left, leader stepping further than follower
- Take one or more forward steps, then bring the follower's upper body to a halt, as she starts to move her free leg back
- This will result in the follower's leg "sweeping" back.
Key points
- Leaders: get the timing of the halt right. You need to lead the follower to start to take a step back, and give her enough time to start to move her leg, before you apply the "emergency stop".
- Followers: let your free leg be free in its movement. Don't tense up if the leader stops you.
Improver class: ocho-based Boleos and wraps
Using the free leg movement we worked on in the beginner class, we then worked on a particular movement using that technique - a boleo, followed by a leg wrap.
Firstly, for a boleo, we used a practice sequence, as follows:
- Leader sidestep left, change weight, pivot follower anti-clockwise, then start to lead a back ocho step
- Follower starts to take that step, leader then interrupts the step with an "emergency stop"; follower's leg sweeps back.
- Follower completes the movement, then collects as normal.
This movement can be done on the back step of any ocho - we demonstrated on it on the leader's right side also.
Key points
- Followers: the movement is exactly the same as with the beginner step - you're simply facing a different direction.
- Leaders: again, the lead is exactly the same, as is the timing.
Here's an example video of this type of movement:
(See the Boleo description for more example videos)
Secondly, we demonstrated and practiced a leg wrap motion, starting from both a boleo base, and also from a forward ocho base.
From a boleo base:
- Lead the boleo as described above, then, when bringing the lady back around, place your outside (right) foot alongside the lady's right foot.
- Simply pivot the lady around clockwise - her left leg should swing around and wrap around your right leg.
- You can reverse the motion to unwrap her - if your right leg is bent, straighten it to provide extra momentum.
From a forward ocho base, it's a very similar movement - simply block her right foot, then pivot her around as before.
Key points
- Followers, keep your leg relaxed as it swings around. Wait for the movement to be led.